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Phanton of the OperaChildren's Fine Arts
Series and Children's
Chorus of San
Antonio Celebrate
25th Anniversaries



By Taylor Templeton and Merideth Canales
Photography Janet Rogers

Two outstanding women,the driving forces behind two highly successful performing arts organizations for children, are celebrating their respective 25th anniversaries in 2007.

In reaching this milestone, Marguerite McCormick of Children’s Chorus of San Antonio and Kathy Miller of Children’s Fine Arts Series deserve standing ovations for their ongoing efforts to enhance the cultural lives of young people. Brief accounts of their stories follow.

Katheleen Cuny MillerKATHLEEN CUNY MILLER
Children’s Fine Arts Series
Little did Kathy Miller know that a volunteer position at her two sons’ school in the early 1980s would turn into a fulltime vocation. In 1982, Miller was recruited to start the Children's Fine Arts Series (CFAS) as the volunteer chairman for the community project and fund-raiser at the Judson Montessori School.

Under her direction, the series became an independent 501c3 nonprofit organization in 1988 as the only presenter of performing arts exclusively for young children in San Antonio. The series has grown from three shows in 1982 to a highly respected organization, now celebrating its 25th anniversary, that brings an average of 15 internationally and nationally acclaimed performing art troupes to the young children of San Antonio and South Texas each year.

Through the years, Miller has been successful in choosing programs that delight the senses of young audiences. She has depended on extensive research to choose experiences that give children a sense of wonder and an eagerness for more. “While the productions often deal with issues relevant to children in today's society, the most important ingredient I look for is fun. What I enjoy the most about the series is finding and bringing unusual shows to San Antonio for my audiences. I also take pleasure in introducing children to genres like opera and classical music,” she says,

An important part of the Children’s Fine Arts Series mission has always been inviting children from inner-city schools, Title I schools and organizations involved with children and families to attend performances free of charge. In the early years CFAS hosted about 2,500 children annually at no cost. Since then, the total has doubled. Currently up to 5,000 students attend CFAS events on a complimentary basis each season, thanks to generous contributions of corporations, foundations, individuals and volunteers.

“Seeing the smiling faces of hundreds of thousands of children in the past 25 years as they watched CFAS shows has been an incredible privilege for me. Needless to say, I anticipate a bright future for the series, a future destined to touch the lives of countless youths in and around our city in a very positive way,” says Miller, adding, “I look forward to introducing so much to so many.”

Marguerite McCormickMARGUERITE MCCORMICK
Children’s Chorus of San Antonio
Marguerite McCormick’s love for music began with piano lessons. At the age of 8, she fell in love with the art form that would drive her life’s work.

“I love children and I love music,” she says. “Combining those two passions was the real reason I decided to found a children’s chorus in San Antonio, which is my hometown. Children are capable of incredible artistry and creativity, and I never cease to be thrilled every time our singers are recognized for that.”

Celebrating its 25th anniversary in the coming season, the Children’s Chorus of San Antonio has become an established name in the national choral community. McCormick says she is awed every time she thinks of the passage of time and all that has been accomplished. “It’s exhilarating, and also I have a little bit of wonder at how the time went so fast,” she says, describing the evolution of the organization over the years. “There’s still so much growth potential, musically and artistically, yet to be achieved. I also feel incredibly blessed to have a dream become a reality. How amazing is that?”

Though the viewpoint of CCSA has remained constant over the past 25 years, McCormick says, many other things have changed significantly. “The basic philosophy, a tradition of musical excellence, has not changed,” she explains.“However, the artistic staff has grown from two to seven and the administrative staff from one parttime employee to two full-time employees and a part-time employee.”

One of the biggest changes, though, has been the number of singers participating in CCSA’s programs. “In 1983 we had 33 singers and one choir,” says McCormick, thinking back to the early days.“Whereas now we have more than 200 singers, five choirs and outreach and early childhood music programs.”

While McCormick says all of these changes have led to several accomplishments, she attributes another factor to the overall success of the organization.“We’ve had many artistic successes over the years,” she says. “Carnegie Hall, tours abroad, the Dido and Aeneas production, collaborations with the San Antonio Symphony and Mastersingers, premieres of commissioned works, but none of these would be possible without our singers.”